On his 84th delivery­day this previous Sat­ur­day, Bob Dylan performed a present. That was in maintain­ing with not solely his still-seri­ous tour­ing sched­ule, but in addition his appar­ent­ly irre­press­ible intuition to work: on music, on writ­ing, on paint­ing, on sculp­ture. Even his occa­sion­al tweet­ing attracts an appre­cia­tive audi­ence each time. The Bob Dylan of 2025 is just not, after all, the Bob Dylan of 1965, however then, the Bob Dylan of 1965 was­n’t the Bob Dylan of 1964. This con­stant artis­tic change is simply what his followers appre­ci­ate, not that they don’t nonetheless placed on his ear­ly stuff with reg­u­lar­i­ty.

Within the ear­li­est of that ear­ly stuff, as music YouTu­ber David Hart­ley explains in the new video above, Dylan “wrote songs by rein­vent­ing tra­di­tion.” Utilizing noth­ing however his voice, gui­tar, and har­mon­i­ca, the younger Dylan “imi­tat­ed a number of the most well-known folks melodies,” plac­ing him­self in that lengthy Amer­i­can tra­di­tion of bor­row­ing and rein­ter­pre­ta­tion. However as dra­ma­tized within the latest movie A Com­plete Unknown, he quickly “went elec­tric,” and with the change in instru­males­ta­tion got here a change in music­writ­ing technique: “He would simply provide you with finish­much less pages of lyrics, some­factor he as soon as known as ‘the lengthy piece of vom­it.’ ”

The recommendation to “puke it out now and clear it up lat­er” has lengthy been giv­en, in var­i­ous varieties, to aspir­ing artists each­the place. One facet price excessive­mild­ing about the way in which Dylan did it was that, regardless of writ­ing pop­u­lar songs, he drew quite a lot of inspi­ra­tion from extra tra­di­tion­al lit­er­a­ture, to the purpose that his notes laborious­ly seem to con­tain any­factor resem­bling vers­es or cho­rus­es in any respect. Solely within the stu­dio, with a band behind him, may Dylan give these concepts their closing musi­cal form — or fairly, their closing form on that par­tic­u­lar album, usually to be mod­i­fied finish­much less­ly, and a few­instances rad­i­cal­ly, over a long time of dwell per­for­mances to come back.

Hart­ley tells of extra dra­mat­ic modifications to Dylan’s music and his means of cre­at­ing. The motor­cy­cle crash, the Base­ment Tapes, the open E tun­ing, Blood on the Tracks: all of those now lie half a cen­tu­ry or extra up to now. To go over all of the methods Dylan has approached music since then would require extra hours than all however probably the most rabid enthu­si­asts (although there are various) would watch. The video does embody a 60 Min­utes clip from 2004 during which Dylan says that “these ear­ly songs had been nearly magazine­i­cal­ly writ­ten,” and that he would­n’t be capable of cre­ate them any­extra. However then, nor may the Dylan of Excessive­method 61 Revis­it­ed have report­ed Time Out of Thoughts, and nor, for that mat­ter, may the Dylan of Time Out of Thoughts have report­ed any of Dylan’s albums from this decade — or those who may, fairly pos­si­bly, be nonetheless to come back.

Relat­ed con­tent:

A Mas­sive 55-Hour Chrono­log­i­cal Playlist of Bob Dylan Songs: Stream 763 Tracks

How Bob Dylan Cre­at­ed a Musi­cal & Lit­er­ary World All His Own: Four Video Essays

Watch Bob Dylan Make His Debut at the New­port Folk Fes­ti­val in Col­orized 1963 Footage

Hear Bob Dylan’s New­ly Released Nobel Lec­ture: A Med­i­ta­tion on Music, Lit­er­a­ture & Lyrics

Com­pare the “It Ain’t Me Babe” Scene from A Com­plete Unknown to the Real Bob Dylan & Joan Baez Per­for­mance at the New­port Folk Fes­ti­val

Bob Dylan Explains Why Music Has Been Get­ting Worse

Based mostly in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His initiatives embody the Sub­stack newslet­ter Books on Cities and the ebook The State­much less Metropolis: a Stroll by way of Twenty first-Cen­tu­ry Los Ange­les. Fol­low him on the social web­work for­mer­ly often called Twit­ter at @colinmarshall.