Inicio E-Learning Hear the World’s Oldest Identified Tune, «Hurrian Hymn No. 6» Written 3,400 Years In the past

Hear the World’s Oldest Identified Tune, «Hurrian Hymn No. 6» Written 3,400 Years In the past

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Hear the World’s Oldest Identified Tune, «Hurrian Hymn No. 6» Written 3,400 Years In the past


Do you want previous timey music?

Splen­did.

You possibly can’t get extra previous timey than Hur­ri­an Hymn No. 6, which was dis­cov­ered on a clay pill within the historic Syr­i­an port metropolis of Ugar­it within the Nineteen Fifties, and is over 3400 years previous.

Actu­al­ly, you’ll be able to — a sim­i­lar pill, which ref­er­ences a hymn glo­ri­fy­ing Lip­it-Ishtar, the fifth king of the First Dynasty of Isin (in what’s now Iraq), is previous­er by some 600 years. However as CMUSE reports, it “con­tains lit­tle greater than tun­ing instruc­tions for the lyre.”

Hur­ri­an Hymn No. 6 gives meati­er con­tent, and in contrast to 5 oth­er tablets dis­cov­ered in the identical loca­tion, is suf­fi­cient­ly properly pre­served to permit archae­ol­o­gists, and oth­ers, to take a crack at recon­struct­ing its track, although it was in no way straightforward.

Uni­ver­si­ty of Cal­i­for­nia emer­i­tus pro­fes­sor of Assyri­ol­o­gy, Anne Kilmer spent 15 years analysis­ing the pill, earlier than tran­scrib­ing it into mod­ern musi­cal nota­tion in 1972.

Hers is one among sev­er­al inter­pre­ta­tions YouTu­ber Hochela­ga sam­ples within the above video.

Whereas the orig­i­nal pill provides spe­cif­ic particulars on how the musi­cian ought to place their fin­gers on the lyre, oth­er ele­ments, like tun­ing or how lengthy notes needs to be held, are absent, giv­ing mod­ern arrangers some room for cre­ativ­i­ty.

Beneath archaeo­mu­si­col­o­gist Richard Dum­b­rill explains his inter­pre­ta­tion from 1998, during which vocal­ist Lara Jokhad­er assumes the a part of a younger girl pri­vate­ly enchantment­ing to the god­dess Nikkal to make her fer­tile:

Right here’s a par­tic­u­lar­ly love­ly clas­si­cal gui­tar spin, cour­tesy of Syr­i­an musi­col­o­gist Raoul Vitale and com­pos­er Feras Rada

And a hang-out­ing piano ver­sion, by Syr­i­an-Amer­i­can com­pos­er Malek Jan­dali, founding father of Pianos for Peace:

And who can resist an opportunity to listen to Hur­ri­an Hymn No. 6 on a repli­ca of an historic lyre by “new ances­tral” com­pos­er Michael Levy, who con­sid­ers it his musi­cal mis­sion to “open a por­tal to a time that has been all however for­bought­ten:”

I dream to rekin­dle the very spir­it of our historic ances­tors. To cap­ture, for just some moments, a time when peo­ple imag­ined the fab­ric of the uni­verse was woven from har­monies and notes. To lux­u­ri­ate in a gen­tler time when the fragili­ty of life was tru­ly appre­ci­at­ed and its each motion was per­fashioned within the almighty sense of awe felt for the traditional gods.

Samu­rai Gui­tarist Steve Onotera chan­nels the mys­tery of antiq­ui­ty too, by com­bin­ing Dr. Dumbrill’s melody with Dr. Kilmer’s, attempt­ing and dis­card­ing a num­ber of strategy­es — syn­th­wave, lo-fi hip hop, reg­gae dub (“an absolute dis­as­ter”) — earlier than decid­ing it was finest ren­dered as a solo for his Fend­er elec­tric.

Ama­ranth Pub­lish­ing has sev­er­al MIDI information of Hur­ri­an Hymn No. 6, includ­ing Dr. Kilmer’s, that you could down­load without spending a dime here.

Open them within the music nota­tion delicate­ware professional­gram of your alternative, and may it please the god­dess, per­haps yours would be the subsequent inter­pre­ta­tion of Hur­ri­an Hymn No. 6 to be fea­tured right here on Open Cul­ture…

Notice: An ear­li­er ver­sion of this put up appeared on our web site in 2022.

Relat­ed Con­tent 

What Ancient Greek Music Sound­ed Like: Hear a Recon­struc­tion That is ‘100% Accu­rate’

The Evo­lu­tion of Music: 40,000 Years of Music His­to­ry Cov­ered in 8 Min­utes

Watch an Archae­ol­o­gist Play the “Litho­phone,” a Pre­his­toric Instru­ment That Let Ancient Musi­cians Play Real Clas­sic Rock

A Mod­ern Drum­mer Plays a Rock Gong, a Per­cus­sion Instru­ment from Pre­his­toric Times

Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and writer, most up-to-date­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo.  Fol­low her @AyunHalliday.



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